6’+ Episode 157 is Up!

2013 Logo IconTo quote the description given at the new listing:

“It’s time for the late, late, late show, where ZACHERLEY and VAMPIRA dance while DR. GANGRENE and DR. SHOCK compare notes. BARON DAEMON and SVENGOOLIE chew the rubber chicken fat while monster kids everywhere TUNE IN to watch their favorite horror host introduce the latest creature feature! We pay tribute to these ghouls with music about and by some of the creeps from your TV. Monstermatt Patterson pops up in the commercials for another MONSTERMATT MINUTE!”

Remember to email 6′+ (contact at 6ftplus.com) or leave a comment below about the show, whether you liked it or not. Tell your friends, leave a review on iTunes, but above all – enjoy.

You can find all episodes of 6′+ over at the official site as well as on iTunes and Stitcher. They’re also on Facebook, Twitter and SoundCloud.

Questionable Horror Sounds Of The Night

Every Halloween lover has their own pick for the best spooky soundtrack to play on the big night. I used to hold Horror Sounds Of The Night in that regard. It used to creep me out so much back when I first got it and I couldn’t imagine anything scarier. But when I dug up my old copy, a certain segment tore off my nostalgia goggles and made me realize that playing it might not be the best of ideas. All because of one suggestive segment. Okay, that isn’t the right thing to say. It’s less “suggestive” and more why the term “trigger warning” was invented. But don’t take my word for it, have a listen for yourself:

I can still say I’m creeped out by this tape. It’s just not in the fun way anymore…

6’+ Episode 156 is Up!

2013 Logo IconTo quote the description given at the new listing:

“Happy Birthday, GdL16! We celebrate gravediggerslocal.com’s 7th anniversary with music by THE VILLENETTES, FAMOUS MONSTERS, THE DEMON SEEDS, ZOMBIE SURF CAMP and more. Monstermatt Patterson pops out of the cake with another MONSTERMATT MINUTE. And we introduce the HALLOWEEN SCAREPACKAGE EXTRAVAGANZA!”

Remember to email 6′+ (contact at 6ftplus.com) or leave a comment below about the show, whether you liked it or not. Tell your friends, leave a review on iTunes, but above all – enjoy.

You can find all episodes of 6′+ over at the official site as well as on iTunes and Stitcher. They’re also on Facebook, Twitter and SoundCloud.

Free (Legal) Download: Night Shift

nightshift

When people discuss the works of Ray O’Bannon, they often focus on his music and paper toys. But this modern Renaissance man of horror has many more demonstrations of his talents available on his website. From artwork to jewelery, short stories to software, he has done just about everything. He has even created numerous short films.

Night Shift details what happens one night when a mechanic attempts to repair a car with a rather sinister reputation. It is one of his longer films, second only to the sci-fi/horror combo that is Scout 17. I highly recommend watching all his horror films (especially Lonely, which is my personal favorite), as they span over numerous styles and moods. They can be serious, funny or even a combination of the two. And they can all be downloaded from the “Theater” section of his website.

But wait, there’s more! Not only can you download a selection of printable sleeves for a DVD-R containing these shorts, but you can also download a papercraft model of the haunted car seen in the titular film! Although the background details given on the car on that page differ from the version given in the film, it still is the same type of vehicle. You can also easily create a soundtrack album for this collection since O’Bannon’s vast library of free music downloads were also used in many of the films.

Special thanks to Ray O’Bannon for use of the image!

As always, Gravedigger’s Local 16 is not to be held responsible for anything that may occur (be it good or bad) as a result of downloading from any links given here. Attempt at your own discretion. Blah blah blah…

DVD Review: The Exorcist 40th Anniversary Blu-ray


The-exorcist-dvdZombos Says: Excellent mix of movie versions and features in one set.

Not having watched the extended director's cut or original theatrical version blu-ray editions previously released, this 40th anniversary set from Warners Home Video, adding two new special features on a third disc and a snippet from William Friedkin's book The Friedkin Connection, is a superb way to re-experience the artistry of The Exorcist, one of the top 5 horror movies made.

One of the new additions is Beyond Comprehension: William Peter Blatty's The Exorcist. Blatty, former comedy writer (good luck with that career after this movie hit), now famous horror author and screenwriter, takes us on a tour of old haunts. Our first stop is the guest house he eventually settled into, with mass quantities of coffee and cigarettes, to write his novel. He explains the few false starts that led him there; for instance, his first choice of writing milieu was a beachfront abode, but noisy cresting waves were too distracting for him. Throughout, Blatty keeps a  wowser! how lucky was I attitude that pops up a little too often to remain fresh, especially at times when more revealing exposition on the process of how he got that lucky would have been appreciated (and yes, that's the writer side of me pointing fingers here, of course). One startling revelation: he didn't have an outlined plot and worried he would eventually write himself into a corner. I recall Charles Dicken's never outlined his novels, either. (Lucky bastards, the both of them.)

The impetus for the novel and its memorable terrors was a true-life case of exorcism that occurred in 1949, which both Friedkin (in his in-depth commentary for the movie and his book) and Blatty refer back to, often. The second new addition is a 20 or so minute chat with Father Eugene Gallagher, who talks about Blatty's time at Georgetown University and that 1949 case, and the exorcism rite itself. This is an informal, filmed in black and white, interview conducted at the time the movie was first scaring audiences, so the set up is minimal, the hair of the interviewer long (radio talk show host Mike Siegel), making it more suited to diehard religious or Exorcist fans with less itchy trigger fingers on their remotes.

The effectively teasing snippet from Friedkin's book, where he relates his experiences with the movie and Blatty, is contained in a hard cover booklet that fits neatly into the cardboard slipcase along with the DVD jacket. It's a revealing nugget of information that compelled me to get Friedkin's book. It also makes you wonder where horror's gotten off to, after such a promising decade in which it received stellar attention from topnotch directors and actors and writers. 

Those of you who have watched the previous blu-ray versions will already know how crisp and vibrant the viewing is, and how rewarding Friedkin's scene by scene commentary can be–I didn't realize until he pointed it out how he used the subtlety of having Father Karras rising (ascending) in his scenes–and how much the documentaries Raising Hell: Filming the Exorcist and The Fear of God: The Making of the Exorcist make you appreciate the nuts and bolts that, finally assembled into the movie, deliver a jolt of character-driven dramatic tension and release you don't often see in today's horror movies.

I can't really say which version I prefer, original or extended cut. The original 1973 showing is the one that made The Exorcist a classic. It's also the one I remember getting the willies from, sitting in a theater in with a whole bunch of other people getting the willies, too. On one hand the original is concisely executed, but on the other the additional 12 minutes have their moments. Some of them include the overly done subliminal flashes of the demon's face, but others reinforce the dual horrors of the medical examinations and the demon's possession , like Regan's jarring crab walk down the stairs. Thank god the technology back then wasn't ready for it: had I seen that in 1973 I don't think I'd have slept a wink for weeks afterwards.

This article originally appeared at From Zombos’ Closet.

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.

6’+ Episode 155 is Up!

2013 Logo IconTo quote the description given at the new listing:

“Even if you’re dead, it’s never too late to party! This trioxin-infused episode features new music from NIGHT BIRDS and HORROR OF 59, along with tracks by 45 GRAVE, HASIL ADKINS and MISTER MONSTER. Monstermatt Patterson comes Straight Outta Mattsylvania for another MONSTERMATT MINUTE and Kraig Khaos gets all bitey on a brain-rattling edition of KILLER KUTS.”

Remember to email 6′+ (contact at 6ftplus.com) or leave a comment below about the show, whether you liked it or not. Tell your friends, leave a review on iTunes, but above all – enjoy.

You can find all episodes of 6′+ over at the official site as well as on iTunes and Stitcher. They’re also on Facebook, Twitter and SoundCloud.

Freaky Tiki Surf-ari: The Voodoo Organist

The Voodoo Organist
Official Site
Organ Voodoo, Dionysus Records 2015

organvoodoo

Ever since the overstuffed first installment of the Freaky Tiki Surf-ari back in 2010, I’ve always made a conscious effort to keep my reviews limited to two exotica albums and two surf albums per year. But when Dionysus Records told me about this album, I knew I had to make an exception. How can anyone hear the Voodoo Organist’s previous work and not be immediately intrigued about how he’ll handle an exotica album?

Scott Wexton got his start playing music at age ten. That’s when he started playing the organ at church. Flash forward to the 90’s, where his musical duo with Christopher Gwizdala, Tribe, gained new members and became known as Batterie:Acid. Even when they disbanded in 1995, he couldn’t stay out of the music biz and soon found himself briefly performing with Today Is the Day. After a few years of “regular” work, a near death experience in 2001 made him realize he had to live his dream. The following year saw him debut as the Voodoo Organist and the rest is history. When it comes to musical influences, he has everything but the kitchen sink. It would be easier to list what few musical genres he doesn’t draw from!

The mellow “Mojave Midnight Moonlight” is a delightful mix of vibraphone and other percussion, along with some theremin work thrown in for good measure. I love the bongo work in this, along with the organ work. “Dry Martinis and Wet Bikinis” is a swinging and jazzy number which would be right at home in an old school spy movie. The snapping fingers, light snare drum strikes and sneaky vibe work mesh well with the organ. Guiros and an unearthly feel show up for “The Chow Chow Cha-Cha” while vibes get to show off in the peppy “Bombay Beach Bondage Boogaloo.” “Rattlesnake Rhumba” is one of my favorites and one listen will make you understand why. Its classic exotica feel is built around bongos percussion, which go nicely with the returning theremin and organ. The very fast and lively “Violent Pillage” knocked me for a loop. You simply have to hear this cleverly named track in order to appreciate it.

“Whiskey Tango Fox” certainly lives up the to “tango” part of its name. There’s plenty of musical variations to help keep this interesting. But even if there weren’t, it would still be a great listen. “It’s Smokey” is another song with a “spy” feel which instantly transports the listener to a smokey bar thanks to its soft and light mix of cymbals and vibe work. The fast and fun “Stomp That Bug” offers plenty of organ (of course) and drums while “Steely Tiki/Prog Grog” uses guiros and vibes masterfully. “Detroit It” musically melds drums, theremin work and maracas. It also flows nicely into the pleasant percussion of “Desert Dream Scene.” Just hearing it lets you know the album is at its end, but it isn’t mournful by any stretch of the imagination.

The Voodoo Organist has always described his style as “something like the house band in Satan’s Tiki Lounge” and that’s never been more true with this album. Have you ever heard the expression “lost in translation?” That’s how I feel about how my review handles this release. I know I’ve made similar statements about how select tracks from this year’s Freaky Tiki Surf-ari must be heard to be truly appreciated before. But my saying that has never been more true when referring to this particular album. It’s a unique musical mix unlike anything you’ve ever heard before and you need to buy it now!

Special thanks to Dionysus Records for the review copy!

Freaky Tiki Surf-ari: 6’+ Episode 154 is Up!

2013 Logo IconTo quote the description given at the new listing:

“Grab your Zombie and head down to Trader Sic Vic’s because it’s time for the annual FREAKY TIKI SURF-ARI! We get tropical and exotical with a variety of surf, exotica and creeptastical music to put the sting in your Scorpion Bowl! With music from THE LEFT ARM OF BUDDHA, ROBERT DRASNIN, THE VULCANOS and more! Monstermatt Patterson tries to go surfing with a Tikiman around his neck and he ends up wiping out into another MONSTERMATT MINUTE!”

Remember to email 6′+ (contact at 6ftplus.com) or leave a comment below about the show, whether you liked it or not. Tell your friends, leave a review on iTunes, but above all – enjoy.

You can find all episodes of 6′+ over at the official site as well as on iTunes and Stitcher. They’re also on Facebook, Twitter and SoundCloud.

How To Make Cheap Foam Organs

I noticed I keep discussing tutorial videos from Stiltbeast Studios in December, which might give the impression he only does spooky Christmas props. This is not the case at all and I want to focus on one of his more traditional tutorials. If you have access to chunks of foam and fake blood, then you can make some realistic fake organs following the directions in the following video:

This tutorial could come in handy if you don’t have any fake blood:

Be sure to check out his other videos!

Freaky Tiki Surf-ari: The Vulcanos

The Vulcanos
Official Facebook
Meet The Vulcanos, Scatter Records 2013

vulcanos

Hailing from Argentina (Buenos Aires, to be specific), the self-described “mod-surf-beat-garage” band the Vulcanos have a particularly interesting history. Formed from members of the defunct surf groups Los Vengadores, Los Transmisores and MODelo ´63, the band officially started in 2006. I say “officially” since two bands featuring some of the members performed together in 2002. With most of the information about the band not being available in English, that’s all I can say with 100% certainty. Their Facebook page gives the following lineup:

Marcelo: Guitar
Damian: Guitar and ukulele
Paul: Bass guitar
Mariano: Drums

But other sources give the following:

Fioro: Lead guitar and theremin
Vulcano D.: Rhythmic guitar and ukelele
Paul Vulcano: Bass
Juan Solo: Drums and percussion

I eventually had to gave up on using Google’s translation feature to help me due to poor results. I was tempted to give up, but the siren song of their great music and the awesome cover art by the famed Dr. Alderete kept pulling me back. Some names are clearly stage names but others make it unclear as to whether or not some members have left and been replaced. The second lineup is definitely the original and are the ones performing on the subject of today’s review, Meet The Vulcanos.

The somewhat laid back guitars and soft background percussion of “El super agente secreto” (“The super secret agent”) make for a great time. It’s like a driving scene in a spy movie that’s meant to show off the shooting location. “El rapto” is louder and more energetic than the previous track. Given how its name means “abduction,” this explains the somewhat sneaking, lurking tone to the guitars. “Te quiero” (“I love you”) offers soft and lightly sweet peppy guitar pickins’ while “Sheena is a Surf Rocker” is a surf take on a Ramones classic. It’s very pleasant and faithful, right down to the “Hey! Ho! Let’s go!” “Bruce Wayne Goes To California” is one of my favorites thanks to its medium (in both volume and speed) guitars with a touch of mystery…at first. Soon it really picks up and gets going, all while backed by steady percussion. The sounds of waves and great guitar work carry us through “Hawaiian Breeze,” which continue into “Reina del Mar” (“Queen of the sea”). Its use of an organ is a nice surprise and the overall effect is what would happen if a surf track was composed for The Adventures of Pete & Pete. You had better believe that’s a compliment!

“Curva de la Muerte” (“Death curve”) really picks up with some interesting variations in guitar work. The same goes for “Swamp Surf,” which only seems mellow when compared to the last track. It’s another another personal favorite of mine. “El asunto del agente c.i.p.o.l.” can be translated as “The issue of the u.n.c.l.e. agent,” but I think the most accurate translation is “The Issue of the man from u.n.c.l.e.” given how said spy series was known as “El Agent de C.I.P.O.L.” in Spanish-speaking markets. It’s fast-paced and somewhat jaunty while also including a sample from the show for added flavor. The surprisingly low key opening of “Bossanoville” carries through the entire soothing track. I love the cymbals in this. “Shockwave” starts off with some extra slow and soft reverb, but boy does it pick up! Our old friend the organ returns and a theremin also joins in! “Vulcanos Party” features cheers and the occasional breaking glass mixed in with some Vulcanos guitar greatness. It’s a party you’ll want to attend for sure. Drums really get to show their stuff in “Go!” That said, the guitars are no slouches either. Some classic surf touches and perfect use of a scratchy record make this a pleasant goodbye.

The Vulcanos’ sound is relatively quieter than most surf groups out there, which I think is a refreshing change of pace. It’s so great to finally have surf music which you can just relax to rather than the usual kind which bombards you with the urge to move. You can easily dance to it, but never feel forced to. It’s never boring, but how could a band whose influences include exotica, science fiction, spy stuff, etc. ever be anything but interesting? So if you are not intimidated by something that’s a little different, seek out the Vulcanos. Trust me on this, you will not regret it!

Special thanks to Scatter Records for use of the image!

Freaky Tiki Surf-ari: Space Fezcapade

Ding Dong Devils
Official Facebook
Space Fezcapade, Tiki Tunes Records 2014

dingdongdevils3

It has been a year since I had last covered the Ding Dong Devils here and the outer space album promised in that last review is now a reality. Hardcore exotica fans will recognize the name and cover art of Space Fezcapade as being a direct reference to Les Baxter’s Space Escapade. But the theme goes far beyond a homage to a classic album. As they note on their official CD Baby page, they draw an interesting connection between cargo cults of the South Pacific, Erich von Däniken’ ancient astronauts claims and 60’s Robinson Crusoe adaptations. With this in mind, let’s jump right into the album itself.

In “Ku Vs. the Space Monster,” a countdown leads to spooky surf track about the Hawaiian god of war battling a creature from beyond the stars. The somewhat militaristic drum beats mesh nicely with the guitar work and given the song an appropriately 60’s monster movie feel. It’s somewhat surprising a movie like this doesn’t actually exist. Japanese tokusatsu was incredibly popular in Hawaii during the 70’s, the same decade which saw a tokusatsu-inspired movie made in Hong Kong called War God that pitted the Chinese god of war against giant alien invaders. Getting back to the album, “Greetings from Crab Nebula Cocktails” is a ukelele-twinged tale of a space bar with strong cocktails and alien clientele with plenty of guiros. “Theme From ‘Mohawk Over the Moon'” has a catchy percussion beat and 60’s organ work and “Voodoo Man” offers old school surfy rock ‘n roll. “Uranian Jerk” shares much of its musical DNA with the previous track, albeit in a heavier and harder way. “The Area 151 Swizzle” is an organ rock-backed recipe for a fictional variant of the 151 Swizzle, which you are instructed not to operate machinery or UFOs after drinking. I love all the alien references and the chorus is a great touch. The low key exotica opening of “Blame It On the Croatoans” gives way to guitars and lyrics about a race of aliens who prepare a rather…unique specialty drink. I seem to detect a 70’s influence, which also appears on other tracks in the album.

“Can You Dance to It On Mars?” features great piano and guitars work while the vocals tell of all the ways people can dance. I love the instrumental interlude. Fast guitars and faster drums drive the surf track “Danger Island,” which is inspired by the recurring segment from the Banana Splits Adventure Hour. serial of the same name. “King Kong” is a surprise cover of an oldie from Tarantula Ghoul and Her Gravediggers! There’s great bouncy guitar work with an occasional dash of cymbals (along with a monkey call). Soft drums and cymbals carry us through an awesome instrumental track in “Marooned On Space Atoll 13.” It has a nice and spacy feel which flows into the next track. Said track, “The Mai Kai,” is musical tribute to a Florida Tiki joint. It sure sold me on visiting if I’m ever in the area and I’m sure it’ll do the same for you. “Tiki Kon” is an amazing outer space jam of guitars and organ. It gets goofy at times, but in a good way. The opening of “Twistin’ Spaceman of Rapa Nui” introduces us to concept of ancient aliens building artifacts like the Moai of Easter Island heads, which launches us into reverby ukelele and guitar goodness with lots of sci-fi woo noises. “Wild Man of Borneo (For Rory)” is lightly rockin’ little ditty named for an old type of sideshow attraction. Thanks getting them to include such a catchy song Rory! The wacky opening organ work of “Hot Pink Astro Teddy” leads to a humorous back and forth between two aliens at a bar. This simply must be heard to be appreciated.

The Ding Dong Devils have hit it out of the park once again. There’s not a single dud or filler track on the album and listeners are sure to play it over and over again. While their first two CDs were packaged in standard jewel cases, this one comes in a three panel digipack featuring artwork on the back by El Gato Gomez. Since I don’t have much else to say about the album, I thought I would share a little discovery with you. It turns out both “Theme From ‘Mohawk Over the Moon'” from this album and “Theme From ‘Belly Dancers of Bali-Bali'” from their debut album are inspired by fictitious films from Gilligan’s Island! I’m guessing the next homage will either be “The Rain Dancers of Rango-Rango” or “Dracula’s Women.”

Special thanks to the Ding Dong Devils for the review copy!

Serie B

portada_final+_cementerio I randomly came across this mexican horror punk band while browsing the internet for something new to listen to. I came across Serie B. Their bio stated that their major influences were Misfits,Balzac and The Ramones. 3 of my favorite bands.

After listening to a few tracks online, I contacted Serie B and purchased their 2012 CD, ” Al Final Del Cemeterio”. Wich I believe translates to , The End of the Cemetery. But don’t quote me. They sent me the CD as well as 2 kick ass posters, a sticker and a Serie B guitar pick.

IMG_20150818_173657 I quickly put the album on my mp3 player ( I know. I’m SO out dated) and have listened to the 10 tracks on here more than a few times.

Serie B wears their influences on their sleeves. You can hear the Balzac type of song structure in songs like “Visiones” ( a highlight of this album) and “Al Final Del Cemeterio”.

Serie B sing in spanish. So I have no idea what they are saying. But I don’t know what Balzac is saying 1/2 the time either, but that doesn’t stop me from loving them or from really enjoying this album. You can hear a Misfits style chorus in “Songre en la Pared”. And  there is  Ramones style downnstrokes all over this album. But not on every song. Wich is nice change of pace from most bands that do this kinda music.

Ultimately, I think that Serie B have something special going on sound wise. There is some excellent guitar work in some of these songs. And I’d love to hear them focus on that stuff and the things going on in “Visiones”. I hope they get more popular and put out another full length soon. In the mean time, I highly recommend you seek this out.

 

Start here: http://www.serie-b.com.mx/

Chilling Adventures Of Sabrina

STK657369-600x922Archie comics brings us another title in their horror themed more mature series of comics with Chilling Tales of Sabrina. Like “After Life With Archie”, Sabrina is told in a serious dramatic tone with horror elements abound.
The issues have been by monthly and they are up to issue 4. Variant covers have included a take on the Creepshow movie poster and a take on the original Carrie film poster. Thus showing the makers of this books love of horror.
Inside,we are taken on a trip through dark witchcraft as we follow Sabrina at a pivotal point in her life. I won’t give too much away about the plot, because I think everyone should get and read this. But definitely do yourself a favor and pick this up. The artwork is beautiful and reminiscent of 70’s horror comics. This is an A+ book in my humble opinion.

Freaky Tiki Surf-ari: The Turbosonics

The Turbosonics
Official Site
Live At Howlers – Pittsburgh, 2010, Self-release 2011
The Turbosonics, Self-release 2013

The story of the Turbosonics begins in Pittsburgh, PA. Pittsburgh in 2008 to be specific. That’s when drummer Timmy Klatte placed an ad on Craigslist in order to make his dream of playing in a surf band come true. Jason Truckenbrod answered and became the lead guitarist. He later encouraged his friend Jake Ortego to sign on. Originally billing themselves as “The Surf Zombies,” the change changed their name after discovering there was already a group using the name. As the Turbosonics they played numerous gigs and generously issued several recordings from said gigs as either free or “Name Your Price” downloads on Bandcamp. Keith Caldwell replaced Ortego as the bassist along the way and can be heard playing on the band’s 2012 debut CD. In order to get a full appreciation of their work, I’ll be reviewing albums from both lineups.

turbosonics2

Recorded at the popular local dive bar, the original Turbosonics’ set features covers of many surf classic and one of their originals. Things kick off with their take on the Surfaris’ fast and bouncy “Point Panic.” You know you’re in for a good time when the opening track rules this much. I’ll be getting to “Dragstrip” later in this article. Let’s just say this version is great and has even higher energy than the original! Next comes an awesomely heavy take on two Dick Dale favorites, “Miserlou/Maleguena.” “Scalped” keeps the Dick Dale party going with a truly fantastic performance. Next comes a slow (but in a good way) surf cover of a decidedly non-surf track from The Reverend Horton Heat, “Marijuana.” After that guitar workout, the Turbosonics’ take on Link Wray’s “Rumble” closes things out. It’s fairly soft, but still retains all its power. It’s the perfect way to close to the show (and to the album). Just one listen will confirm these versions all stand side by side with the originals in terms of quality. It’s a free download, so you have no excuse for not checking this out for yourself.

turbosonics1

Their self-titled “official” debut features Keith Caldwell on bass and I’m happy to report he’s able to seamlessly fit into the band while still bringing his own style to the table. Ortego still has a hand in this album, but that will have to wait until later. Slow reverb opens both the album and “Clambake,” whose cymbal buildup leads to medium paced surf goodness. This track also features an awesome melding of drums and guitars. “Black Flamenco” is faster and somewhat lighter than previous track while “Lights Out” is much heavier than the other tracks. It’s got one hell of a beat and I dare you not to have this stuck in your head for days after listening. Clacking drumsticks open “Man’s Woman” and are soon followed by speedy cymbals and intriguing guitars. Interestingly enough, this was written with country singer Slim Forsythe! “In The Shadows” is soft and smooth…at first. Then things really pick up for a catchy beat. I love the percussion in this. “Dragstrip” has an effective scratchy opening and reeving engine, followed by appropriately fast-paced surf rock. It also features the most varied guitar work on album, although the fast and peppy “Zombie-A-Go-Go” does give it a run for its money. Both tracks were written with none other than Jake Ortego. Things come to a close with “Hattori Hanzo.” It’s a musical tribute to a famous Japanese historical figure, although many reading this might remember the name from the Kill Bill films. Its low and serious opening leads to a feel of power and determination.

Don’t let the small number of tracks fool you, as many of said tracks on both albums are well over five minutes in length. No matter which incarnation of the band you choose, the Turbosonics will definitely provide an excellent listening experience. And with their newest album coming out in the near future, you won’t have to wait too long to get your next fix. Hopefully the upcoming release of Tres Gatos Suave will lead to more spooky stuff in the future. I’d say “more great music” as well, but I’m pretty sure the band has already got that covered.

Special thanks to the Turbosonics for use of the images!

Freaky Tiki Surf-ari: The Crazed Mugs

The Crazed Mugs
Official Site
Find Forbidden Island, Orange Seal Entertainment 2011

You know what?  It's too hard to make funny comments about cover art these days.  So there will be no more hidden jokes from me unless I am truly inspired by a particular image.

The Crazed Mugs are a Florida-based exotica band which only could have formed in the internet age. Founded in 2004 by the mystery man known only as “pablus,” he met Ken Kanaka through the Tiki Central website. Mr. Kanaka was the man behind the late, great “Tiki Talk” blog, further strengthening the internet aspect of the band. The Crazed Mugs consist of:

pablus
Ken Kanaka
Koka Nut
Kanekila
Mr. Ho
Tommy Wanalikilei
Doc Tiki

Yes, that is the same Mr. Ho of Mr. Ho’s Orchestrotica. The band also has had contributions from guest performers like Jeff “Tiny Bubbles” Berlin, The Amber Love Goddess, Kapu Kelly, Maddy Mango, Vance the Trance, Jammin’ Josh Gibson, Luke the Flute, Gibby the Axeman, Roaring Rick Steuart, Valerie Whispertone and Christiki Hyers.

Although the band’s first album was the 2005 release My Mug Collection, I thought it would be more appropriate to review their more recent second album Find Forbidden Island. Things kick off with the wonderful combination of ukelele and pandeiro work in “Marooned on the Mainland.” It’s a musical tale of a man who yearns for a warmer climate during the winter and gets what he desires in a most unexpected way. I’m hoping they follow it up someday with a song about how the situation he describes at the end of the song went downhill. Try watching Castaway and you’ll see what I mean. “Hello, I Love You, and Goodbye (The Aloha Song)” is a jaunty little ditty about a few of the multiple meanings of the word “aloha” which makes wonderful use of a ukelele and steel guitar. The reggae-influenced “Bamboo Ben (feat. Jeff Berlin)” has a funky percussive beat and makes excellent use of a horn. This song is one of my favorites and I have listened to it countless times. I’m sure you will do the same as well. “Lake Surfer,” which is sometimes known as “Legend of the Lake Surfer,” is a surf track (naturally) and its opening maniacal laugh and eerie chorus enhance the supernatural nature of the titular character. A soft flute, guitar and percussion make up the musical backbone of “Mystery Girl,” a love song devoted to exactly who its title says. “Smuggler’s Cove” is like a dark Jimmy Buffet song and “Rum Barrel” is simply amazing.

Despite what the name might make you think, “Find Forbidden Island” is very soft and mellow. I love the flute playing in this. “Forbidden Island” is also the name of the painting by Brad “Tiki Shark” Parker which is used as the album’s cover art. “Paradise for Two” is also very laid back which is appropriate given its fantasy of life on an island. The occasional use of a duet in the chorus is a great touch. It also turns out this was written by Ken Kanaka on the night of his wedding! More uke goodness and jazzy beats combine with cymbal beats, steel guitar work and vibes in “Island People.” I really wish they had ditched the lyrics and made this an instrumental instead. “But Kilauea” is much lower key and heavier than the rest of the album due to its more depressing subject matter. “Smuggler’s Cove” looks downright cheery in comparison! But that doesn’t make it any less well made. In the ultra catchy “We Spread Aloha,” the band’s plans for the future and their desire to spread happiness and goodwill. According to its official music video, it’s based on actual conversations they’ve had over the years. The video also contains a lot of great information, including the secret origin of the band’s name.

In the link to their Facebook page I gave earlier, the band describes themselves as ” A Musical Mai Tai of Hawaiian-influenced ukulele rock with touches of exotica, Hapa Haole, and surf.” It’s a perfect description given how they combine various musical styles to create songs about various Tiki subjects rather than focus solely on exotica. Speaking of their Facebook page, they recently announced how they have a new album in the works. If it’s anything like this one, then we are all in for one hell of a musical experience! If this review makes you decide to pick up a copy, might I suggest doing so through the band’s website? Doing so will also get you a free car decal and other benefits.

UPDATE: It turns out Bamboo Ben is a real person! Also, Forbidden Island and Smuggler’s Cove are the names of real Tiki bars and “Rum Barrel” is the name of a cocktail.

Special thanks to the Crazed Mugs for the review copy!

6’+ Episode 153 is Up!

2013 Logo IconTo quote the description given at the new listing:

“REEL IN SHOCK AND AMAZEMENT! We go BEYOND into a WORLD of SIGHTS both WONDROUS and HORRIBLE! Music from THE TSUNAMIBOTS, THE AMINO ACIDS, THE BLOODTYPES, THE PHENOMENAUTS and more. Try as you might, you can’t avoid YOUR future having another edition of THE MONSTERMATT MINUTE.”

Remember to email 6′+ (contact at 6ftplus.com) or leave a comment below about the show, whether you liked it or not. Tell your friends, leave a review on iTunes, but above all – enjoy.

You can find all episodes of 6′+ over at the official site as well as on iTunes and Stitcher. They’re also on Facebook, Twitter and SoundCloud.

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